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Page 263 The button to the right of the text box opens the Browse For Tool dialog box that lets you navigate to the desired tool. Displays instructions for adding separators and submenus to the Favorites Help tab menu.

Page 144 CHAPTER 5 Enhancing and Restoring Audio Using the Dynamics Processing effect The Dynamics Processing effect varies the output level of a waveform based on its input level. You can use this effect to limit or compress dynamic range, producing a consistent level of perceived loudness.


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Page 75 If you have an older CD-ROM drive that doesn’t support digital extraction, or if you have problems ripping a track into Adobe Audition, then you can record from a CD in real-time through the sound card on your computer. This method is called internal recording. Keep in mind that not all PC's have an analog cable from a CD drive, and not all computers react the same way when recording from CD internally.

CHAPTER 7 Mixing Multitrack Sessions Note: With MIDI clips, volume envelopes control MIDI velocity, which usually represents the force with which a note is struck. However, some synthesizers are programmed so that velocity changes pitch or harmonic content. To clear all control points for an envelope: Right-click the clip containing the envelope, and choose Envelopes >.


Page 105 Click the Auto Play button in the Cue List window. Choosing a cue type Adobe Audition provides four cue types. All four can be ranges as well as points, although it doesn’t really make sense for index cues to be ranges.

Page 154 CHAPTER 6 Applying Stereo, Pitch, and Delay Effects Using the Pitch Correction effect (Edit View only) The Pitch Correction effect provides two ways to make pitch adjustments for vocals or solo instrumentation. Automatic mode analyzes the audio content and automatically corrects the pitch based on the key you define, without your having to analyze each note.


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Page 115 Specifies the length that is assigned to the pause character when it is used in Pause Time the Dial String text box. Specifies which character Adobe Audition interprets as a pause. Pause Character Generates DTMF signals by using combinations of the frequencies 697 Hz, DTMF Signals 770 Hz, 852 Hz, 941 Hz and 1209 Hz, 1336 Hz, 1477 Hz, and 1633Hz.

For example, if the current session uses tracks 1-4, Adobe Audition appends tracks 5 and greater and places them at the beginning of the timeline. If desired, you can then move clips in appended tracks to a new position.


Set any of the following options, click OK, and then save the file: Tells Adobe Audition that the file is a loop. If the file is inserted into a Multitrack Loop session, looping is enabled automatically for that audio clip.

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Page 31 To repeat the last command: In Edit View, choose Edit > Repeat Last Command. You can repeat most editing functions in Adobe Audition by using this command; however, there are a few exceptions (such as Delete). To disable or enable the Undo function: Do one of the following: •.


Page 138 CHAPTER 5 Enhancing and Restoring Audio Dynamic EQ is especially effective as a real-time effect in Multitrack View, where you can use clip envelopes to adjust the Gain, Frequency, and Q parameters. To use the Dynamic EQ effect: Select an audio range (Edit View) or track (Multitrack View). In the Effects tab of the Organizer window, expand Filters, and double-click Dynamic EQ.

Soundbooth is a discontinued digital audio editor by Adobe Systems Incorporated for Windows XP, Windows Vista, 7 and Mac OS X. Adobe has described it as being "in the spirit of SoundEdit 16 and Cool Edit 2000". Adobe also has a more powerful program called Adobe Audition, which replaced Soundbooth as of Adobe Creative Suite 5/5 Production Premium. Soundbooth, discontinued in 2021, was aimed at creative professionals who do not specialize in audio or people who need a simple editing program and do not require the full features of Adobe Audition. Due to Intel-specific code, Adobe stated that the Mac OS X version would only be available for machines using Intel processors. Soundbooth CS4 was the first version to support 64-bit officially.


Page 94 Choose View > Waveform View or View > Spectral View. Alternatively, click the Toggle Between Waveform And Spectral Views button Adobe Audition lets you customize certain features of Waveform View and Spectral View. For example, you can show or hide grid lines in Waveform View and change the resolution in Spectral View.

Using the status bar The status bar runs along the very bottom of Adobe Audition’s main window. It can display information such as sample format, file size, and free disk space. Status bar A. Data Under Cursor B. Sample Format C. File Size D. File Size (time) E. Free Space F.


Page 2 Adobe Systems Incorporated. Please note that the content in this guide is protected under copyright law even if it is not distributed with software that includes an end-user license agreement.

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Page 254 Statistics RMS Width RMS (Root-Mean-Square) minimum and maximum values. Applies an equal loudness contour, where the middle Determines how Adobe Audition handles out-of-band peaks. When Specifies the length of the audio selection to use for calculating the.


Choose View > Toolbars, and choose a number of rows from the submenu. Using windows Many windows in the Adobe Audition interface can be repositioned and resized to better suit your requirements. You can also hide windows that you’re not currently using, and then show them again when needed.

Page 121 You can raise the bit depth of a file to gain a greater dynamic range, or you can lower the bit depth to reduce the file size. When converting to a lower bit depth, Adobe Audition provides dithering options to help reduce noise and distortion. Although dithering intro- duces a small amount of white noise, the result is far preferable to the increased distortion that you would otherwise hear at low signal levels.


Adobe Audition doesn’t create a temporary file for a waveform until you edit the waveform. However, you can force Adobe Audition to create a temporary file by using the Flush Virtual File command.

Page 177 To change the color for a group: Select any clip in the group, and choose Edit > Group Color. Alternatively, right-click any clip in the group, and choose Group Color. Select a color, and click OK. in the toolbar.


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Page 139 The Notch Filter effect removes up to six user-defined frequency bands, in addition to standard telephone DTMF tones. Use this effect to remove very narrow frequency bands, such as a 60 Hz hum, while leaving all surrounding frequencies untouched.


Page 88 CHAPTER 3 Importing, Recording, and Playing Audio Using the Level Meters The Level Meters represent the incoming signal in dBFS (decibels below full scale), where a level of 0 dB is the maximum amplitude possible before clipping occurs. Yellow peak indicators remain for 1/5 seconds to allow for reading of the peak amplitude.

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Adobe Audition 3/0 includes a full set of editing, restoration, and mastering tools that give you unprecedented flexibility and control. Comprehensive waveform-editing tools combined with innovative spectral frequency brushes let you edit with power and precision. The new Mastering effect, phase correction tools, and Top/Tail view make Adobe Audition 3/0 the ideal audio editing and mastering environment.

All these reflected sounds might reach your ears so closely together that you cannot discern them as separate echoes. However, they give an impression of space. With Adobe Audition, you can customize the reverb and replicate a variety of room environments.


Page 129 To zoom in on a particular area of the Phase Analysis graph, use the horizontal and vertical rulers. See “Zooming graphs for frequency and phase analysis” on page 122. Phase Analysis window with display menu revealed ADOBE AUDITION 1/5 User Guide.

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Digital Audio Primer Waveforms Amplitude reflects the change in pressure from the peak of the waveform to the trough. Cycle describes the amount of time it takes a waveform to return to the same amplitude level. Frequency describes the number of cycles per second, where one Hertz (Hz) equals one cycle per second.

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Page 132 CHAPTER 5 Enhancing and Restoring Audio Waveform Statistics dialog box, Histogram tab To view a waveform histogram: In Edit View, select an audio range. Choose Analyze > Statistics, and click the Histogram tab. Select Left or Right to display either the left or right channel in the foreground. To view numerical waveform statistics: In Edit View, select an audio range.


Page 146 CHAPTER 5 Enhancing and Restoring Audio To use the Normalize effect: In Edit View, select an audio range. In the Effects tab of the Organizer window, expand Amplitude, and double-click Normalize.

Page 85 Use the volume slider to adjust the volume of the preview. To enable auto-play: Click the Auto-play button on the Files tab. Adobe Audition automatically previews files you select. To disable auto-play, click the Auto-play button again.


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Page 240 CHAPTER 11 Saving, Exporting, and Closing Files Some formats provide options for saving audio data. Click Options in the Save As dialog box to access these options. Note: If you want to save files in a format that’s not listed here, you may be able to do so by using an ACM Waveform codec.


Audition is Adobe's podcast creation app, available as a standalone subscription or as part of the full Creative Cloud suite of apps. Those who have been in the business a long time may remember Cool Edit Pro, an app admired for its simplicity and large number of features.

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Page 150 CHAPTER 6 Applying Stereo, Pitch, and Delay Effects To use the Center Channel Extractor effect: Select a stereo range. In the Effects tab of the Organizer window, expand Filters, and double-click Center Channel Extractor.


Working with audio tracks You can record and mix up to 128 tracks in Adobe Audition, and each track can contain as many clips as you need—the only limit is hard disk space. The track controls appear to the left of the track display, and you can resize these controls to be as wide or narrow as you wish.

Defines the bar and beat information for the selection’s starting point (or Current Beat At the current cursor position if no selection has been made). Adobe Audition assumes that this represents a downbeat. Changing this value updates the Song Start value based on the current tempo settings.


Page 290 Glossary Adobe Audition’s Level Meters are found by default along the bottom of the Level Meters application window, and they are used to monitor the volume of incoming and outgoing signals. The red clip indicator to the right of the meters will light up and remain lit when levels exceed the maximum of 0 dB.

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To use the Multichannel Encoder: Open an existing Adobe Audition session, or create a new session in the Multitrack window. Once all your tracks are added, achieve a basic stereo mix balance with your desired track volume, stereo pan, and FX settings.


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Page 28 CHAPTER 1 Looking at the Work Area You can also use the wheel on your mouse to scroll in the display window. To do so, place the pointer over the display window, and roll the mouse wheel. To change the position of the horizontal scroll bar: Right-click the horizontal scroll bar, and choose a display option: Above Display or Below Display.

CHAPTER 7 Mixing Multitrack Sessions Mixing down ReWire tracks and specific audio clips You can mix down ReWire tracks and specific audio clips to a new file that opens in Edit View, an empty track in the current session, or a track in a CD project. You can also mix down entire sessions, exporting them in a variety of formats.


Page 184 CHAPTER 7 Mixing Multitrack Sessions Crossfading audio clips You can crossfade audio clips to transition smoothly from the end of one clip to the beginning of another. Crossfades consist of a fade out and a fade in over a transition region.

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CHAPTER 8 Using Loops Setting the tempo, time signature, and key for sessions The Session Properties window lets you specify the tempo, time signature, and key for loops in a session. All loop-enabled clips automatically adjust to match new settings; regular clips are unaffected.

Setting up Adobe Audition Setting up devices You can use a wide range of devices with Adobe Audition. Sound card inputs let you bring audio signals into Adobe Audition through sources such as microphones, tape decks, and digital effects units. Sound card outputs let you monitor audio signals through sources such as speakers and headphones.


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Page 26 CHAPTER 1 Looking at the Work Area To zoom in or out by using the zoom controls: Do any of the following: Click the Zoom In Horizontally button • waveform window or session. Click the Zoom In Vertically button • waveform’s amplitude display (in Edit View) or decrease the number of viewed tracks in the session display (in Multitrack View).

Instead, a session file is a small file that points to other audio files on your hard drive. The session file keeps track of where the audio files are stored on the hard drive, each file's location and duration within the session, what.


Page 152 CHAPTER 6 Applying Stereo, Pitch, and Delay Effects Using the Flanger effect Flanging was originally achieved by sending an audio signal to two reel-to-reel tape recorders and then physically slowing down the reels of one machine. The resulting sound has a phase-shifted, time-delay effect, characteristic of psychedelic recordings of the 1960s and 1970s.

Page 277 ADOBE AUDITION 1/5 User Guide In-phase waves reinforce each other. Sometimes the peaks of one waveform match up with the troughs of another. The peaks and troughs will cancel each other out, resulting in no waveform at all. Such waveforms are said to be 180 degrees out of phase.


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MIDI clips to audio clips by recording the output of a MIDI sound module on an audio track. Note: In general MIDI terminology, MIDI tracks are instrument tracks in MIDI files. In Adobe Audition, however, MIDI tracks contain MIDI clips, which in turn contain instrument tracks.

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Page 61 When pasting different sample formats, Adobe Audition Auto-Convert Settings For Paste uses these settings when auto-converting the clipboard to the current sample format. Valid settings range from 30 to 1000. Downsampling Quality Level: Enter a value (30 to 1000) for downsampling quality.


Page 232 CHAPTER 10 Creating Surround Sound The Multichannel Export Options dialog box Exporting a multichannel session Once you’ve completed mixing your multichannel project, you can export it to your desired file format. To export your multichannel session: Click Export at the bottom right of the Multichannel Encoder dialog box. In the Multichannel Session Name text box, enter a name for your exported files.

Page 106 CHAPTER 4 Editing Audio • Beat Cues is just like Basic Cues, but you use it to mark musical beats. Beat cues are a very powerful feature because an audio file saved with them allows the beat mapping loop method to be very accurate. For more information on creating and using loops, see “About loops”.


Page 293 An arrangement of Cue List entries that you can play in any order and loop a Play List specified number of times in nondestructive fashion. Adobe Audition saves Play Lists in the header of WAV files. A software component that you can add to another piece of software to increase Plug-in its functionality.

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Undoing and redoing changes Adobe Audition keeps track of the edits you perform during the course of an editing session. These changes are stored in a temporary file on your hard drive. They aren’t permanently applied to the file until you save and close it, giving you unlimited undo and redo capability.


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Page 287 For example, in destructive editing, a change in audio volume alters the amplitude of the original wave file. In Adobe Audition, Edit View is a destructive editing environment; however, edits do not permanently change audio until you save a file.

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Page 179 Drag to edit clip edges. To slip edit a trimmed or looped clip: In the toolbar, click the Move/Copy Clip tool Hold down Alt, and right-click drag across the clip. ADOBE AUDITION 1/5 appears, position the cursor or the Hybrid tool User Guide.


Page 39 In Edit View, right-click the Play button or the Play To End button controls, and choose Preroll And Postroll Options. In the Effects Preview section of the Preroll And Postroll Options dialog box, enter durations for the preroll and postroll, and click OK. ADOBE AUDITION 1/5 User Guide in the transport.

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Page 234 CHAPTER 10 Creating Surround Sound • Fold Down To Stereo Settings folds down the 6-channel playback to a stereo playback on a non-Windows XP system or a system without a 5/1 playback setup. Specify the attenuation parameters to control how the levels of the Center, Surround, and LFE channels get mixed down with the front stereo channels and played back on a stereo output system.

Page 73 Adobe Audition provides two methods for ripping tracks from CDs: using the Open command and using the Extract Audio From CD command. Using the Open command is the quickest method and is preferred for ripping entire tracks. Using the Extract Audio From CD command gives you more control, such as the abilities to rip partial tracks and specify the ripping process used.


Page 33 If the Organizer window isn’t showing, choose Window > Organizer to display it. Click the Files tab in the Organizer window. The following buttons appear at the top of the Files tab: The Import File button lets you import audio, MIDI, and video files into Adobe • Audition. The Close Files button lets you close all selected files in the Files tab.

CHAPTER 4 Editing Audio To apply a sample rate conversion preset: Choose a preset from the list. The sample type settings change to the settings defined in the preset. To delete a sample rate conversion preset: Choose the preset from the list, and click Delete. Adding file properties The Wave Properties command opens a tabbed window that lets you add and get infor- mation about the active waveform.


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Page 145 100% and the quiet low to 40%. To apply RMS normalization, you must use the Group Waveform Normalize command.


Digital Audio Primer Two simple waves combine to create a complex wave. Analog audio A microphone works by converting the pressure waves of sound into changes in voltage on a wire. These changes in voltage match the pressure waves of the original sound: high pressure is represented by positive voltage, and low pressure is represented by negative voltage.

Generating audio Adobe Audition provides several commands that let you generate new audio data. These commands are different from effects in that they insert new sounds into a waveform rather than alter existing sounds.


Page 185 You can quickly time stretch a clip either by dragging or setting time stretch properties. When you time stretch by dragging, Adobe Audition analyzes a clip’s contents and attempts to select the most natural sounding time-stretch method. When you set properties for time stretching, you also specify which method of time stretching to use.

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View) or at the end of the list clip in a session (in Multitrack View). Monitoring recording and playback levels Adobe Audition provides the Level Meters to help you monitor the amplitude of the signal during recording and playback. If the amplitude is too high, clipping occurs and results in distortion.

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Page 46 Limit Playback To for limitations imposed by your hardware. For example, if your sound card doesn’t handle 32-bit audio correctly, you can have Adobe Audition limit the playback of 32-bit files to either 16-bit or 8-bit.


Page 136 CHAPTER 5 Enhancing and Restoring Audio For more information, search for “Hiss Reduction options” in Help. Using the Noise Reduction effect (Edit View only) The Noise Reduction effect dramatically reduces background and broadband noise with a minimal reduction in signal quality. This effect can remove a wide range of noise, including tape hiss, microphone background noise, 60-cycle hum, or any noise that is constant throughout a waveform.

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For more information, search for “Center Channel Extractor options” in Help. Using the Doppler Shifter effect (Edit View only) The Doppler Shifter effect creates the increase and decrease in pitch we notice when an object approaches and then passes us, such as when a police car passes with its siren on.

Working with Adobe Premiere Pro and After Effects If you use Adobe Premiere Pro or After Effects, you can easily remix and edit soundtracks in Adobe Audition. To do so, first configure Adobe Audition to link session files with exported audio mixdowns in WAV format.


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Adobe provides a variety of options you can use to learn Adobe Audition, including online Help and tool tips. You can also use the Adobe Web site to easily access a wide range of continually updated Web resources, from tutorials to technical support information.

Page 214 CHAPTER 8 Using Loops To extend or shorten a loop-enabled clip: Select the clip, and then position the pointer over the bottom left or right handle—the loop editing icon Drag the handle to extend the loop the desired number of bars. Depending on how far you drag, you can make the loop repeat fully or partially.


Page 130 CHAPTER 5 Enhancing and Restoring Audio To analyze phase: In Edit View, select or play a range of the waveform. Choose Analyze > Show Phase Analysis, and set options as desired: Enlarges the phase analysis lines so that they reach the edge of the graph. Normalize Select from the following options: Display menu.

Removing silence is useful for cleaning up voice prompts and speeding up narratives without affecting the foreground audio. Creating silence Adobe Audition provides two ways to create silence in a waveform: by muting part of the existing waveform or by inserting a new duration of silence.


Page 259 To run a single script on a batch of files, use the Batch Processing command. To run a script: Set up Adobe Audition to match the starting point of the script. For example, if you want to run a script intended for a waveform, open a file and select a waveform. If you want to run a script that starts from scratch, close all open waveforms.

With Adobe set to release its new CS3 design package, it seemed logical to take a look at the company’s Soundbooth software, which replaces Audition as the lead audio application. Although still in beta, we went ahead anyway and put Soundbooth through its paces. It was certainly worth the time spent. But I would like to add that while Adobe is aiming Soundbooth at Web and video users who may not need the full features of Audition (which does make some sense), I’m hoping Adobe doesn’t over simplify.


Page 165 Split points are determined by the crossover frequencies you specify. Each copy of the waveform is placed in its own track in the session window. You can then edit or apply effects to each band separately.

Page 123 To create a sample rate conversion preset: Choose Edit > Convert Sample Type. Alternatively, click the Convert Sample Type button in the toolbar.

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Page 178 CHAPTER 7 Mixing Multitrack Sessions Aligning clips You can align the left or right edges of multiple clips, giving them the same start or end point. To align clips: Hold down Ctrl, and select the clips. Choose Edit > Align Left or Edit > Align Right. Note: Because the relative position of grouped clips is fixed, you must ungroup them to align them.


Page 98 If you want to select more than one beat, choose Edit > Find Beats > Find Next Beat (Right) again. Each time you choose this command, Adobe Audition adds the next beat to the selection.

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Page 9: Learning About Adobe Audition

Page 288 Audio stored in DVD movies is generally 96 kHz/24-bit. A distinct repetition of a sound, caused by the sound reflecting off a surface. Adobe Echo Audition offers two echo effects, Echo and Echo Chamber.

Page 224 CHAPTER 10 Creating Surround Sound To select a track to pan for surround sound: In the Multichannel Encoder dialog box, click the name of the track. The Track List with Track 4 selected To access a track assigned to a bus in the Track List: Close the Multichannel Encoder.


Page 171 Click OK. Setting the default session After you set a default session, it opens when you start Adobe Audition. The default can also serve as a template for new sessions, letting you share settings such as device assign- ments and master volume levels across multiple sessions.

Adobe bills Audition as "designed to accelerate video production workflows and audio finishing," and that's really its key market. If you're a podcaster or video editor looking for a complementary product to beef up the audio in your projects, or especially if you work with (and are already paying for) other top-level Adobe software like Premiere or Photoshop, Audition is a natural fit. It even sends audio between Audition and Premiere, instead of forcing you to do cumbersome bounces each time; workflow enhancements like this amp up the value of the full CC subscription. In my tests, I also found Audition to be the ideal step up from Audacity or GarageBand when recording podcasts as well.


Page 225 ADOBE AUDITION 1/5 User Guide Lets you use the Surround Panner to position your Surround Panner, Summed To Mono sound source. However, this option always sums the track’s signal to a mono signal. In this mode, panning the sound source to any location in the sound field results in the summed mono signal being fed to all channels.

Places the cursor at the start of the track. Go To Beginning Plays the currently selected track from the cursor location. Playback always Play Track plays to the end of the track, regardless of the current zoom level.


Page 81 Select Right Away to begin recording as soon as you click OK. • Select Time/Date to begin recording at a time you specify (for example, to have Adobe • Audition capture a radio broadcast at a certain time). Enter the starting time and date in the appropriate text boxes, and set the desired time and date options.

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If you prefer using a program with open source code but want to go deep and study the program for hours, then I highly recommend trying such Adobe Audition alternative as Ardor. This full-featured sound workstation is full of useful functions to create and edit music and works on the open source basis.


Page 172 CHAPTER 7 Mixing Multitrack Sessions To insert or delete time in a session: Place the current-time indicator at the desired insertion point, or select the range you want to delete. Choose Edit > Insert/Delete Time, and set the following options: Shifts all material (clips or parts of clips) to the right of the current-time indicator Insert by the amount you specify in the text box.

Page 34 The Effects tab in the Organizer window lists all of the effects at your disposal. The listing includes all of Adobe Audition’s effects as well as all installed DirectX and VST audio plug- ins. You can change the grouping of effects to best meet your needs.