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One of the best-known helicopters in the world. It has been produced since early 1970s till this day and it has gained a steady foothold in the airlifting businesses of US military organisations.

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  • Sailors to the End: The Deadly Fire on the USS Forrestal and the Heroes Who Fought It

If a character can be classified as “fiction” or non-human, it passes a threshold for a tolerated race-swap in casting. Likewise, the race-swaps and gender-swaps happening across the Marvel Cinematic Universe also pass this threshold because super-heroes are technically unreal. Like Genie and mer-folk, superheroes are fiction, imagination, and cannot be referenced as real life individuals or traced to historical events. Therefore, the diverse castings of the MCU, like Zendaya Coleman as Mary Jane, or new diverse castings going forward, like Salma Hayek (Ajak) and Lauren Ridloff (Makkari) in The Eternals (Zhao, 2021), fit the test for safe race-swaps for Disney works. It is why few fans agreed with the counter-argument that Tiana, Mulan, or Pocahontas can also be race-swapped because their characters are “real,” as in, based on real, historical figures whose racial identities are known.

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Breaking Bad’s high ratings, multiple Emmy wins and critical plaudits indicate that this gangster-patriarch strongly resonates with today’s audience, especially the men (like AMC’s other top series, Mad Men, Breaking Bad has a primarily male demographic). Thus, long after Walter White has imploded into a fireball of inglorious self-loathing, characters like him will surely continue to colonize the popular—and the private—imagination.

On 31 July, Forrestal arrived at Naval Air Station Cubi Point in the Philippines, to undertake repairs sufficient to allow the ship to return to the United States. With repairs completed, she departed on 11 August, arriving at Naval Station Mayport on 12 September to disembark the remaining aircraft and air group personnel stationed in Florida. Two days later, Forrestal finally returned to Norfolk to be welcomed home by over 3,000 family members and friends of the crew, gathered on Pier 12 and onboard Randolph, Forrestal's host ship.

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Diversifying casting through race-swaps can arguably become token nods to calls for inclusivity in an industry that historically relegated Black and minority actors to sidekicks. However, the choices made to date can be classified as safe and in some cases problematic. The casting of Black women leads with white or non-Black male leads continues an erasure of the Black male as a leading man, and perpetuates the desirability of a white male gaze on “othered” women. This occurred in A Wrinkle In Time (DuVernay, 2021), which erased racial difference to the point that all major male-female relationships were racially diverse. On one end, this casting can be considered progressive, imagining a world where love and affection is color-blind.

To identify the source of the switching problem known as contact bounce or “relay chatter,” which disrupted telephone signals, Bell engineers in the 1930s at first employed the Eastman High Speed Camera. Using a rotating prism to record a sequence of images while advancing a 16 mm filmstrip, the camera captured 1000 frames per second. It was designed as a solution to the problem of increasingly complex and “black-boxed” equipment—technical systems assembled by teams of humans and machines that subsequently exceeded individual comprehension.

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Let’s take the sting away from Fox by acknowledging that it is correct — there is a consensus in television news; it is mildly liberal, but wholeheartedly endorses the Bush Administration; and Fox is more wholehearted in its endorsement of the Administration that its competitors. Then let network news and the cable “specialists” actually go forward and find stuff out, rather than throwing punditry at the viewers, night after night, day after day. That would be journalism worthy of the name, and it could come from competing for stories rather than competing for noise.

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As the speed of recording increased, speech continued to be a point of reference. The first ultra-high-speed motion picture camera, the Fastax, was developed at Bell Laboratories (AT&T) in the 1930s and 1940s to visualize the moving parts of the telephone system—including the human vocal apparatus. If “high speed” referred to the recording of at least 128 frames per second, “ultra” meant frame rates in the thousands.

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From 19 September 1967 – 8 April 1968, Forrestal underwent repairs in Norfolk Naval Shipyard, beginning with removal of the starboard deck-edge elevator, which was stuck in place. It had to be cut from the ship while being supported by the shipyard's hammerhead crane. The carrier occupied drydock number 8 from 21 September 1967, until 10 February 1968, displacing USS John King, an oil tanker, and a mine sweeper that were occupying the drydock. During the post-fire refit, the ship's four aft 5"/54 caliber Mark 42 guns were removed. The forward four guns had been removed prior to 1962.

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A drawing of the stern of Forrestal showing the spotting of aircraft at the time. Likely source of the Zuni was F-4 No. 110. White's and McCain's aircraft (A-4s No. 405 and 416, respectively) are in the right hand circle.

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With orders to conduct strike missions over North Vietnam the next day, and with no replacement bombs available, Captain Beling reluctantly concluded that he had no choice but to accept the AN-M65A1 bombs in their current condition. In one concession to the demands of the ordnance handlers, Beling agreed to store all 16 bombs alone on deck in the "bomb farm" area between the starboard rail and the carrier's island until they were loaded for the next day's missions. Standard procedure was to store them in the ship's magazine with the rest of the air wing's ordnance; had they been stored as standard, an accidental detonation could easily have destroyed the ship.

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Eighteen crewmen were buried at Arlington National Cemetery. Names of the dead are also listed on the Vietnam Veterans Memorial.

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On the other hand, in Black Panther, Okoye snatches her own wig as liberation, and as a strong general, still loves, as she can both lead war and have a relationship with W’Kabi. However, Black Panther stands alone because in creating a fully fleshed out Black nation and civilization, it includes the widest spectrum of Black experiences on screen. This is something that a token, safe attempt at race-swap in a film whose world is shaped by existing hegemonies will struggle to do. And while Wakanda is also fiction, it demonstrates a model for how far films must still go to truly offer more expansive representations of Blackness on screen to wider audiences. In the meantime, offering diverse audiences a Black mermaid is giving them one chair at a table while Disney cashes in from the meal. It leaves diverse viewers at least full for now but wishing the meal had more salt.

The films went public; it was thought that watching these slow-motion explosions would prepare citizens to “avoid panic” in the event of a local bombing. At the same time, comparisons were made between water, earth, and air detonations in the interest of maximizing destruction.

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Rabinovich claimed 15,000 shekels ($2,573) in personal damages. The class action lawsuit would seek an as yet unspecified sum on behalf of others in the same situation, according to court papers presented at Jerusalem District Court.

Yune's AuraMSID_AURA_YUNEAssigned to Ike when inflicting the final blow on Ashera in the fifth part of the Part 4 Endgame. Applies the blue flame effect to him and Ragnell; if hacked onto other units, it will only apply the flame to their swords, and will bind-pose units who use anything other than swords.

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In 2007, when Terry Gross of NPR’s Fresh Air was discussing the top films of the year, she couldn’t help but insert the HBO series The Wire in her own personal top ten. It wasn’t much of a surprise – The Wire has been a recurring topic on Fresh Air for years, and Gross has interviewed a number of actors, writers, and producers related to the show, some more than once. Of course Fresh Air isn’t the only place where we’ve seen this discourse, but it was especially noteworthy that the ultimate mark of distinction for the show was to detach it fully from its medium of origin, and place it in its “true” aesthetic context – that of cinema.

The detonation destroyed White's and McCain's aircraft, along with their remaining fuel and ordnance, blew a crater in the armored flight deck, and sprayed the deck and crew with bomb fragments and burning fuel. Damage Control Team No. 8 took the brunt of the initial blast; Chief Farrier and all but three of his men were killed instantly; the survivors were critically injured. Lieutenant Commander White had managed to escape his burning aircraft, but was unable to get far enough away in time; White was killed along with the firefighters in the first bomb explosion. In the tightly packed formation on the deck, the two nearest A-4s to White's and McCain's (both fully fueled and bomb-laden) were heavily damaged and began to burn, causing the fire to spread and more bombs to quickly cook off.

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Most of the electricity produced in the United States comes from coal and natural gas-fired power plants. Only about 3 percent is generated from wind, solar, hydroelectric, and other renewable sources. The study considers a future US grid where up to 80 percent of the electricity comes from renewables.

But are these scenes really all that different? While the first comes with semiotic cues that scream out sentimentality and excess, the second does too – it’s just the more conventionally masculine sentimentality and excess of grunge rock and roaring sidepipes. In both, a melodramatic imagination drives the narrative, and drives our own viewing pleasures: can the characters reconcile their conflicted pasts with their new challenges? Will they find happiness, completion, peace? Will they find self-knowledge, or will they remain tragically haunted by their own demons?

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The second aspect of wound ballistics involves a study of the nature of the damage to tissues, whether it results from stretching and displacement or from pressure changes accompanying the shot. Of particular interest is the commonly observed injury of organs far away from the bullet path.

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Grand Jury Prize winner for documentary Boys State. HBO also proved its commitment to documentary with its purchases of David France’s Welcome to Chechnya and Laurent Bouzereau’s Natalie Wood: What Remains Behind. Whereas other documentary films such as Sam Feder’s Disclosure: Trans Lives on Screen, executively produced by Laverne Cox, are still awaiting distribution. Overall, at Sundance 2021, streamers such as Netflix and Hulu continued to flood the market by buying more and more content, including features, series, and documentaries. And, it remains to be seen whether more traditional distributors such as A24, Focus Features, and Sony Pictures Classics will be able to compete for content as other streaming services such as HBO Max and Peacock enter the market. However, Salt Lake City audiences are already eagerly awaiting the possibilities of discovering even more new voices in independent cinema in 2021.

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In “The Work of Art in the Age of Mechanical Reproduction,” Walter Benjamin compared the film camera-operator to the surgeon—specifically, the laryngologist. Through “technical sleights of hand,” each intervened into reality to produce new, seemingly equipment-free views.

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As 2021 showed, Disney’s global media dominance resulted in record setting economic success. The company bested its previous record in 2021 by earning its total box office revenue by mid-year 2021 with still at least two more potential billion-dollar films to go (Frozen II [Buck and Lee] and Star Wars: The Rise of Skywalker [Abrams]). In fact, there is evidence in 2021 alone that “safe” race-swapping can bring diverse audiences to the theaters and result in billion dollar success. One glaring race-swap in 2021 was the casting of Genie in Aladdin (Ritchie) as Black (Will Smith). The iconic role was played by Robin Williams, but technically it was not a white man’s role, just a funny man’s role, and the Genie was blue. The race-swap of a racially neutral character meant that Genie could be Black in 2021, and audiences could accept this. Not only would Genie be Black, he would be from the region along the Silk Road, which included North Africa, through the Middle East, and onward to Asia. Therefore, there was nothing controversial about Genie’s race-swap, other than the CGI look of Smith’s blue and whether he could live up to Robin Williams-levels of comedic performance. At the end of the summer, Aladdin returned $1/046 billion at the box office and drew in the global audience Disney hoped it would earn by casting the largest diverse cast it has assembled.

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To determine the amount of energy required to build each of the five battery technologies, Barnhart relied on data collected by Argonne National Laboratory and other sources. The data revealed that all five batteries have high embodied-energy costs compared with pumped hydroelectric storage.

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The fire left 134 men dead and 161 more injured. Many aircraft and a large amount of ordnance were jettisoned to prevent them from catching fire or exploding.

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I have also listened to seasoned festival-goers express their wistfulness for the earlier years of the festival when they would arrive at Trolley Square with camp chairs and coffee at 5 AM in order to queue for tickets. Even as recently as 2021, I myself queued for “Best of Fest” tickets at Trolley Square and made long-lasting friendships as I waited in that early morning line that snakes through the hallways of the mall.

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CNN and Fox market themselves differently — the former to urban, highly educated viewers, the latter to rural, less-educated viewers. One functions like a broadsheet, the other like a tabloid, with CNN punditry coming mostly from outsiders, and Fox punditry as much from presenters as guests. CNN costs more to produce and attracts fewer routine viewers (but many more occasional ones). It brings in much higher advertising revenue because of the composition of its audience, and because its fawning and trite business coverage addresses high-profile investors and corporations in ways that Fox’s down-market populism does not.

BlackRock under pressure to stop funding fossil fuels. BlackRock, the world’s largest asset manager with over $6/5 trillion under management, is under pressure to cut ties with fossil fuels. BlackRock is among the top three shareholders in every oil major except for Total (NYSE: TOT), according to the Guardian. Major institutional investors are starting to press the company to reduce its funding of the oil and gas industry.

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Throughout the day the ship’s medical staff worked in dangerous conditions to assist their comrades. HM2 Paul Streetman, one of 38 corpsmen assigned to the Forrestal, spent over 11 hours on the mangled flight deck tending to his shipmates. The large number of casualties quickly overwhelmed the ship’s medical teams, and the Forrestal was escorted by USS Henry W. Tucker to rendezvous with hospital ship USS Repose at 20:54, allowing the crew to begin transferring the dead and wounded at 22:53.

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Radiant Dawn stores each of its portrait as a file containing a set of up to 15 textures: the full body size, the bust size used for unit stat screens and certain cutscenes, and the miniature size used for the pop-up HP bars when hovering over units with the cursor, as well as separate animation frames for eye and mouth movement. Unless otherwise stated, unused portraits also have all of these parts.

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Supporters of Disney’s race-swap argued that Tiana spent over 90-percent of the film as an animal, diminishing audiences the opportunity to be entertained fully by a Black princess. They demanded that it was time Black audiences got a second Black princess. Opponents pointed out that it should be open season on race-swapping and that Tiana, Mulan, and Pocahontas can now be acceptable race-swaps and cast by white actors in live-action remakes.

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In fact, Mike Fleming, Jr. of Deadline notes that the value of this deal is actually closer to $22 million. After winning a binning war with A24 and Netflix, the deal includes streaming rights and a bonus structure through Hulu. This year, Hulu also bought Justin Simien’s comedic horror satire Bad Hair for $8 million.

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Už to pochop že nacpané pimpongáče ve slipech stebe hráče ani chlapa neudělají. A skupina tvých teploušských zelených smokerů ( kuřbuřti ) už vůbec ne. Tak dále na sebe každej večer koukej do zrcadla s prstem v zadku a říkej si co chceš, mě je to buřt. Přijdu zahraju zasměju pobavím, hraju vždy pro tým, vím co je dobrý a vím co je špatný, vím co znamená slovo HRA, nejsem totiž vymaštěnej EGO sráč jako ty, jsem jen letecký fanda a férový hráč.

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For decades, TV dads have been the ultimate “fair game,” targets deserving mockery and willing and able to accept it. This may have helped to level the playing field and create more equality and opportunities for female workers, who have certainly made remarkable strides since the 1970s. Yet along with many powerful socioeconomic forces, popular representations of fictional patriarchs have likely contributed to the current crisis of masculinity with many real world and televisual repercussions.

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Texas advances bill to punish pipeline protestors. The Texas legislature is working on a bill that would impose stiff penalties on pipeline protestors. The legislation classifies pipelines as critical infrastructure, and trespassers could receive a third-degree felony and the prospect of 10 years in prison. The bill passed the Texas senate on Monday. Similar bills have cropped up in North and South Dakota, and have come in reaction to the Dakota Access protests from 2021.

So what is the appropriate response? Retreating to one’s “man cave” and accepting the Neanderthal-like male caricatures served up by reruns of Home Improvement and The Man Show? Lashing back with the reactionary zeal of Rush Limbaugh? Rejecting fatherhood altogether and joining the deadbeat dad epidemic? Clinging to adolescence, like the Peter Panish man-boys cleverly lampooned by the films of Judd Apatow? Or maybe it’s better to simply dive into the heart of darkness and accept the role of ultimate evil personified? Given a choice between feckless fool and criminal kingpin, Walter White increasingly opts for the latter.

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All images and films courtesy AT&T Archives and History Center. I want to thank George Kupczack of AT&T, Robert Cargni Mitchell of the International House in Philadelphia, and Len Guercio of Temple University for helping me digitize these films from the AT&T archives.

The localization contains two versions of each portrait: the original size displayed when playing in 4:3 screen mode, and narrower versions used when playing in 16:9 widescreen, which are stored on the disc in the separate /wide directory. Every portrait has both an original size and a wide variant, including unused ones.

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It can be no accident that Fox News Channel, which employs few journalists and staffs only four foreign bureaux, has the most pundits on its payroll of any US network — over fifty in 2003. There has also been a malign Fox-effect on other networks. Despite Fox’s claim that it is less liberal than CNN, each delivers pro-Bush positions on foreign policy as if they were organs of the Pentagon. During the invasion of Iraq, both MSNBC and Fox adopted the Pentagon’s cliché ‘Operation Iraqi Freedom’ as the title of their coverage. Viacom, CNN, Fox, and Comedy Central all declined to feature paid billboards and commercials against the invasion.

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The rocket flew across the flight deck, striking a wing-mounted external fuel tank on an A-4E Skyhawk awaiting launch, aircraft No. 405 from VA-46, piloted by Lieutenant Commander Fred D. White. The Zuni rocket's warhead safety mechanism prevented it from detonating, but the impact tore the tank off the wing and ignited the resulting spray of escaping JP-5 fuel, causing an instantaneous conflagration. Within seconds, other external fuel tanks on White's aircraft overheated and ruptured, releasing more jet fuel to feed the flames, which began spreading along the flight deck.

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In the show’s debut episode, viewers are introduced to a familiar image of the television patriarch: a bumbling doofus, incapable of properly providing for this family, weak, ineffectual, comically inadequate, married to a feisty intelligent, attractive wife, who can be a bit overbearing at times, but hey, someone has to wear the pants! Actor Brian Cranston had played a similar role in the Fox series Malcolm in the Middle. By casting him in Breaking Bad, Gilligan provided an intertextual-shorthand for viewers, allowing them to instantly recognize this sweet but foolish figure. The portrait is quickly skewed, however, when in the same episode, Walt is diagnosed with cancer and something inside of him snaps. Soon, this underachieving high school chemistry teacher begins manufacturing crystal methamphetamine and his alter ego, “Heisenberg,” is born. The name is an allusion to the German physicist, but it is also a nod to his famous “uncertainty principal,” a theory about the fickle nature of perception. Werner Heisenberg famously asserted that the closer we observe one aspect of a quantum phenomenon, the less we can know about its other characteristics. In other words, the very act of focusing on a single characteristic prevents us from seeing the whole picture.

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During the Q&A after the screening of her film The 40-Year-Old Version in Salt Lake City, Directing Award winner Radha Blank even alluded to the possibilities of turning her feature into a series. According to Chris Lindahl of IndieWire, The 40-year-Old Version is currently nearing a mid-to-high seven figure deal with Netflix. Since I had the opportunity to see Blank and her crew in the Q&A after a screening at the Salt Lake City Library, I can say that the room was full of the anticipation that comes with the discovery of an indie hit. As writer, director, and actor in her own story, Blank is certainly an exciting new voice in independent filmmaking; however, when this film shows up on Netflix in a few months, those watching at home will not be able to replicate that buzz of excitement as those 300 festival-goers discovered a star.

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The impact of the rocket had also dislodged two of the 1000-lb AN-M65 bombs, which fell to the deck, and lay in the pool of burning fuel between White's aircraft and that of Lieutenant Commander John McCain. Damage Control Team No. 8 swung into action immediately, and Chief Gerald Farrier, recognizing the risk, and without the benefit of protective clothing, immediately smothered the bombs with a PKP fire extinguisher in an effort to knock down the fuel fire long enough to allow the pilots to escape. The pilots, still strapped into their aircraft, were immediately aware that a disaster was unfolding, but only some were able to escape in time. McCain, pilot of A-4 Skyhawk side No. 416, next to White's, was among the first to notice the flames, and escaped by scrambling down the nose of his A-4 and jumping off the refueling probe shortly before the explosions began.